KUMAARA SAMBAVAM Tamil Movie Review
Cast-:
Kumaran Thangarajan, Payal Radhakris hna, Kumaravel, Bala Saravanan, GM Kumar, Vinod Sagar, and Livingston. Other cast members mentioned are Vinoth Munna, Shiva Aravind, Gowtham Sundararajan, Arjai, Charles Vinoth, Shravan Ramakrishnan and others.
Crew-:
Kumaran Thangarajan, Payal Radhakrishna, G.M. Kumar, Kumaravel, Bala Saravanan, Vinoth Sagar, Livingston, Vinoth Munna, Shiva Aravind, Gowtham Sundararajan, Arjai, Charles Vinoth, Vijay Jasper, Saravanan, K. Gopal, Telephone Raj, Sakthi Balaji Krishnaraj, V. Tharani, Kavitha, Shravan Ramakrishnan, Yaashvan Ramesh Written & Directed by: Balaji Venugopal Music: Achu Rajamani DOP: Jagadeesh Sundaramurthy Editor: G. Madan Art Director: K. Vasudevan Costume Designer: Nandini Nedumaran Stunt: Om Prakash Lyrics: Balaji Venugopal Sound Design: T. Uday Kumar, Renjith Venugopal, M. Saravanakumar (Sound Vibe Studios) Sound Mixing: T. Uday Kumar VFX: Chan FX – Chandru Senthilkumar DI Colorist: Naveen Sababathi DI: Shade 69 Studios Casting Director: Varsha Varadarajan Publicity Design: Santhosh, Ivan Diaz, Veera (NxtGen) Head of Operations & Creative Head: Ravikumar Anantharaj Head of Production: P.A. Srinivasan Senior Executive Producer: Deva Production Controller: Rakesh Ragavan Production Coordinators: Sriram Chandrasekar, Vishwatha Ravichanthiran Production Manager: M.P. Ramachandran, Sai Mohan PRO: Nikil Murukan Label: Saregama India Limited, A RPSG Group Company and Others .
Story-:
Kumaran (Kumaran Thangarajan), a Chennai native, lives in a big house with his grandfather (G.M. Kumar), mother and younger sister. Kumaran, who is trying to become a director, is struggling to find a producer.
In this situation, when he decides to sell his house and direct a film with the money, his close family friend and social activist Varadharajan (Ilanko Kumaravel), who lives in a separate room in the same house, is found dead under mysterious circumstances. Due to this, Kumaran and his family are caught in the police investigation.
On the other hand, attempts to sell the house also face obstacles. The film ‘Kumarasambavam’ directed by Balaji Venugopal answers questions like who killed Varadharajan, was the house finally sold, and did Kumaran become a director.
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Movie Review -:
Although comedy is the main focus of his character, Kumaran Thangarajan approaches the occasional emotional scenes responsibly and makes us pay attention. Kumaran perfectly moves some scenes that come in both the comedy and emotion routes, making his introduction impressive! Kumaravel, who plays the main character of the story, has made a deep contribution with his aggression for the fighter and emotion for the common man, and has become the foundation of the film.
G.M. Kumar adds strength with his experience. Vinod Sagar keeps our stomachs aching by renting the comedies that come in the second half.
Bala Saravanan has created excitement in all the scenes that come through online counters. Siva Aravind, Vinod Munna, Payal Radhakrishnan, Livingston, and Gautham Sundararajan have done their job. Jagadish Sundararamurthy’s cinematography has contributed to building a comical world and bringing the scenes revolving around the same house in a way that is not boring. G. Madan’s elegant editing has also helped in this. With the music of Achu Rajamani, the songs come and go with the flow of the film. With his energetic background music, Achu has added mileage to the comedy tracks!
The screenplay mixes story and comedy from the very beginning, from the death of Varadarajan, the police who start investigat ing it, the arrival of each character.Between
the investigation scenes, the protagonist’s love, his life problems, Varadarajan’s life, the world of the family, and their love for Varadarajan are all perfectly unfolded. The comedy lines and comedy mind voices are filled in all the scenes, and in some places they are overdosed.
Even for small supporting characters, the mind voices impose comedy, which drags back the purpose of those scenes. At the same time, the story moves and screenplay twists are strong, ensuring that the interest does not diminish! Moreover, with the contribution of Kumaravel and G.M. Kumar, the emotional scenes are also vigorous. The second half, the screenplay, which goes into the ‘comedy cinema’ genre, is befitting of it, and has a series of comedy idea collections.
Although there is a huge lack of logic in the looters who set out to solve Kumara vel’s death, every comedy line clicks. In this collection, Vinoth Sagar’s manner ism is the comedy powerhouse of the second half! The way he combines the characters and twists of the first half without wasting them, and the way he smoothly weaves the subplots in the end is ‘Nach’!
Kumaran’s constant changing of his perspective on Kumaravel without any compelling reason, the unthreatening villains, the comedy that was filled with emotion even in scenes that should have been full of emotion, the unreliable police investigation, and the ending of Kumaravel’s death as a ‘sub’, are some of the flaws in this story.The kumarasamba vam’ has become a hilarious comedy with comedy as its main focus and emotion as its secondary focus.
This Is My Personal So Please Go and The Movie In Theaters Only
Written by B4U Media Admin Ratting B4U Media 4 / 5
