KATTALAN Tamil Movie Review
Cast-:
Antony Varghese,Dushara Vijayan,Sunil , kabir, Duhan Singh, Jagadish ,Siddique ,Parth Tiwari,,Anson paul, Hanan Shaah ,Raj Tirandasu, Hipzster Shon Joy, Baby Jean,Harishankar Narayanan and Others.
Crew-:
Banner : Cubes Entertainments
Directed by: Paul George
Produced by : Shareef Muhammed
Music by : Ravi Basrur
Additional song by : B. Ajaneesh Loknath,Dialogues : Unni R DOP : Renadive Additional DOP : Chandru Selvaraj, Sudeep Elamon Editor : Shameer Muhammed Stunts : Action Sandhosh , Kecha Khamphakdee Writers: Paul George , Joby Varghese , Jero Jacob Trailer Cuts: Devanand V.B Executive Producer : Jumana Shareef Production Designer : Sunil Das Creative Producer : Dipil Dev Production Controller : Deepak Parameswaran Chief Associate : Rajesh Bhasker Audiography : Rajakrishnan MR Sound Design: Kishan, Sapthaa Records Costume : Dhanya Balakrishnan Makeup: Ronex Xavier Still photography : Amal C Sadhar Choreography : Sherif VFX : 3 Doors Colourist : Srik Varier Digital Marketing : Obscura Entertainments PRO Marketing : Vaisakh C Vadakkeveedu . Jinu Anilkumar Public Relation : Vazhoor Jose Hindi Marketing : MAX Marketing LTD Tamil PRO : Sathish S2E . Sri Venkatesh P Tamil Digital : AKD . Guna Telugu Digital : Haashtag Media . Dilip Main Title Design : Ident Labs Publicity Designs : Yellowtooths Animation : Eunoians Other language dubbing director-RP Bala (RP studios) Music Rights : T-Series Distribution by : Cubes Entertainments Overseas Distribution Partner : Phars Film Digital and Satellite distribution partner : Shemaroo Karnataka Theatrical distribution partner : Hombale Films Hindi Theatrical distribution partner : Jai Viratra Entertainment Limited Ravi Basrur Music Team Music Producers Chethan Handattu, Ravi Basrur English Rap By: Rohith Siddappa English Rap Lyrics: Chethan Handattu Theme Stereo Mix & Mastered By Chethan Handattu & Kishore Sattala Music Mix & Mastered @ Ravi Basrur Music & Movies BASRUR Lyricist: Music Label: T-Series ,PRO : Nikkil Murugan and Others.
Story -:
Since childhood, Mari (Sunil) has been operating in the forest, killing elephants to harvest their tusks and illegally exporting them to Sri Lanka. He ruthlessly eliminates anyone who stands in his way—whether they oppose him or merely demand a share of the profits—sparing no one.
He employs a crew of 40 hunters to facilitate this ivory smuggling operation, yet he treats them with extreme cruelty, subjecting them to conditions akin to slavery. Consequently, some of these hunters begin to plot ways to somehow bring Mari down.
Meanwhile, the “Eddie Gang”—a rival faction—is also attempting to defeat Mari and seize the title of “Cartel King.” It is at this juncture that our protagonist, Anthony, makes his entry. He arrives on the scene much like “Rocky Bhai”—a solitary force capable of resolving any crisis, no matter how formidable.
With Anthony’s assistance, Mari successfully smuggles vast quantities of ivory; however, the oppressed hunters eventually turn to Anthony himself, seeking his aid to overthrow Mari. The remainder of the story unfolds as we discover what happens next.
The Video-:
Movie Review -:
Sunil, playing the gangster who smuggles ivory in the forest, handles such a role with effortless ease—like eating *halwa*—and delivers a menacing performance as Mari. At the same time, the heavy influence of *Pushpa* is quite palpable.
The protagonist, Antony, is a man of few words but abundant action; true to the adage that everything he touches turns to gold, he systematically executes Mari’s plans. The pre-interval sequence—specifically the scene involving the smuggling of ivory inside the bodies of the deceased, followed by the twist that unfolds upon the arrival of the police—adds a touch of intrigue.
However, this level of intrigue could have been sustained throughout the entire first half of the film. Musically, Ravi Basrur seems to be stuck in a *KGF* hangover, churning out a score that feels all too familiar. Visually, the characters—strutting around in slow motion with cigarettes in hand—resemble participants in a fashion show rather than characters in a narrative; consequently, the first half lacks any significant engagement.
One might expect the second half to offer major plot twists or heightened interest, but instead, the filmmakers have prioritized action sequences above all else. As is often the case, the film merely plods along with a repetitive cycle of character build-ups and fight scenes.
A significant drawback is the lack of emotional depth in the film’s sentimental scenes; the emphasis placed on stunt choreography would have been better invested in strengthening the screenplay.
Technically, the cinematography is superb; the visuals—particularly during the stunt sequences—are stunning, with every frame meticulously composed. While Ravi Basrur’s music occasionally echoes the style heard in *KGF*, he has nonetheless infused specific moments with a tremendous sense of “mass” appeal. The film’s technical execution
The fight sequences.
A screenplay style that feels all too familiar—specifically the kind designed to target the Gen-Z demographic—yet ultimately lacks genuine engagement.
All in all, this “Forest Man” (*Kaattalan*) ended up hunting not just elephants, but the audience as well.
This Is My Personal Review So Please Go and Watch The Movie In Theatres Only.
Written by B4U Media Admin Ratting B4U Media Admin 4 / 5
