HAIKU Tamil Movie Review
Cast -:
Aegan, Sri Devi Apalla, Femina George, Shree Tej , Mime Gopi , Indu mathi Manikandan, Adhirchi Arun, Subra manian Sethu, A. Adhi yaman ,Yuvaraj Chinnasamy and Others.
Crew-:
Production: Vision Cinema House, Produced by: Dr. D. Arulanandhu, Mathewo Arulanandhu, Written and Directed by: Yuvaraj Chinnasamy, Additional Screenplay: Hariharan Ram, Music: Siddhu Kumar, DOP: Priyesh Gurusamy, Editor: Sakthi Pranesh P, Art Director: Prem Karunthamalai, Executive Producer: Aegan Arulanandhu, Choreographer: Anusha Vishwanathan, Costume Designer: Dinesh Manoharan Production Controller: Selvendran, Publicity Design: Kachaa Mango (Viyaki), Co-Directors: Swineeth S. Sukumar, Anand M. J, First Associate Director: Anandan Gowri, Associate Directors: Magus, Sivam, Magimai Chandrasekar, Saranraj, Vignesh Shivakumar Stills: R. S. Raja Title Design: Veera, PRO: Suresh Chandra, Naasar, D’one, Marketing & Promotion: KV Mothi, DEC, Dubbing Director : RP Bala( RP Studios), Visual Effects : ONE STUDIOS, Visual Effects Supervisor: Mohmad Akram M, Label: Saregama India, Limited, A RPSG, Group Company and Others.
Story -:
In a haiku poem, the third line often subverts or shatters the premise established in the first two—that is the very essence of the form: it leads you to expect one thing, only to deliver something entirely different. Love, in many ways, is much the same; even those in love cannot predict what might happen next. Perhaps this is why director Yuvraj Chinnaswamy chose this title for the film.
The story itself is as concise as a haiku, yet it carries a profound impact.
The protagonist, Eagan, holds a good job at a company, where he crosses paths with a woman. As their relationship unfolds, it is revealed that there was already another woman in Eagan’s life. The screenplay explores whether the depth of his first love persists in this new relationship, and examines the implications—the pros and cons—of such a situation.
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Movie Review -:
Egan, making his debut as the lead, fits the role of a college student perfectly. Rather than forcing an “action hero” persona in his very first film, he demonstrates a keen understanding of the character’s requirements and the appropriate level of performance needed—a quality that makes him instantly relatable.
His measured and patient approach to acting is matched by his clear, well-enunciated delivery of dialogue, which breathes fresh life into the character. However, he should be careful not to let this become his signature style for future projects; exploring diverse roles and acting styles will be essential for him to reach the next level in his career.
While the romance between Egan and Sridevi carries the essence of a “Gen Z” relationship, it is intricately woven with the sensibilities of 90s-style love, making the narrative quite engaging. Just as the audience might begin to fear that the story—involving characters from different castes—could veer into the territory of an “honor killing,” the director introduces a clever twist. As the true reason for their breakup is revealed near the climax, many young men—and women—will likely recognize the underlying causes of their own past heartbreaks. If even one couple, having realized this, decides to reconcile, it would be the greatest success for this story.
The core theme of this multi-layered love story centers on how ego and possessiveness act as formidable enemies to even the most genuine relationships.
Sridevi, who plays the character Kodi, takes the initiative to nurture the romance with Egan, yet she—like most women—rightfully expects a sense of self-respect. This same expectation is echoed in the relationship with his second love interest, Femina George; it is a crucial insight that many partners would do well to understand about the women they love. Although Femina George dominates the entire second half, she impresses by showcasing various dimensions of her acting range.
While many others appear in the film, they all stay true to their respective roles, ensuring the narrative remains focused without veering off course.
The film contains profound truths—for instance, in the dialogue suggesting that if a woman decides she no longer wants a man, she will not take him back, even if he falls at her feet to beg for forgiveness.
The film is produced by Dr. T. Arulananthu and Mathew Arulananthu under the banner of Vision Cinema House.
Music director Sidhukumar has woven a delightful, playful magic with his score.
Priyesh Gurusamy’s cinematography keeps the audience’s eyes glued to the screen.
Initially, the film might lead viewers to wonder what new perspective director Yuvaraj Chinnasamy could possibly offer on the subject of love; however, his exploration of the inner secrets of love—presented through a recurring, core formula—lays a strong foundation for the film’s success. That said, trimming the runtime by five to ten minutes would have further enhanced the film’s pacing.
Haiku – The secret to success in love.
This Is My Personal Review So Please Go and Watch The Movie In Theatres Only.
Written By B4U Media Admin Ratting B4U Media Admin 4.5 / 5
