LOVE OH LOVE Tamil Movie Review
Cast-:
Pavish Narayan, Naga Durga, Selvaraghavan, K.S. Ravikumar, Vanitha Vijayakumar, Ramya, Ashwath, Soundarya, Adithya Kathir and others.
Crew-:
Written and Directed by Magesh Rajendran Produced by Zinema Media and Entertainment Ltd & Creative Entertainers and Distribution Producers : Dinesh Raj, G Dhananjheyan, Finance Controller : Lalithaa Valasamuthu Music : Foxn Director of Photography : P.G. Muthiah Editor : N.B. Srikanth Art Director : Pa. Mahendran Stunts : Abishek Srinivas Costume Designer : Harshika Ramesh Story Discussion : S. Devaraj, Rajesh Sundaramoorthy, Jaisee, Jayaprakash Ilamparathi, Gomathiramalingam, Velmurugan Subramani, Jasmine, Harish B Co-Directors : Mutharasan Shanmugam, Suriya Thavamani Pandian Associate Directors : V. Ramachandar, N. Yuvaraj, S.K. Vikram, Vimal, Santhosh Balaji Dubbing : K. Jagan – Le Magic Lantern Studio VFX : D NOTE – Murthy DI : Vels – D Studio Colorist : KS. Rajasekaran D.F. Tech Mixing : S.P. Narayanan Sound Design : Shreyas Bhat Publicity Designer : Sathish TP Production Executive : Rajesh Kanna Production Manager : Saravana Kumar. V Accounts : K Chellan Stills : Mahesh Jayachandran PRO : Rekha Promotions : N S Jegadeesan (DIGITALLY) Audio Label : Think Music and Others.
Story-:
At the beginning of the film, Hero Bhavish tells Selvaraghavan his story, telling him that he had fallen in love with a woman and cheated on her and fled to Dubai. Bhavish tells Selvaraghavan his story to Selvaraghavan, who is there to fight for Bhavish’s severe punishment.
Bhavish falls in love with Naga Durga as soon as he sees her and thinks that he will do anything for her. Naga Durga also spends money beyond Bhavish’s capacity. He also takes a loan and spends on his lover. He also becomes a debtor.
At one point, Naga Durga says that for some reason she should get married immediately, but by then Naga Durga’s mother comes and says that Bhavish is a debtor, how can he take care of my daughter, and Bhavish’s father K. S. Ravikumar humiliates everyone in front of the police station.
K.S. Ravikumar and his family, distraught by this, become angry with Bhavish. At the same time, Bhavish loses his job and loses all the happiness in his life due to love. What happe⁶!ned to Bhavish’s life and what happened to th!]eir love is the rest of the story.
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Movie Review-:
Pavish reminds us of the Dhanush we saw during the *Thiruvilaiyadal Aarambam* era; he mirrors Dhanush’s mannerisms and even his voice at times. Whether it is emptying his wallet for his girlfriend, facing humiliation from family and society, or the antics he pulls while setting conditions for Naga Durga, he shines as a modern-day Dhanush and delivers a fine performance.
It seems Naga Durga was cast specifically to play an irritating heroine, a role she executes well. Beyond the leads, supporting actors like Selvaraghavan (as a police officer) and Vanitha (representing a women’s association) also perform effectively.
The film follows a trajectory of romance, conflict, and breakup, leading into a revenge plot; while a few moments are enjoyable, many others test the audience’s patience. The dialogue and scenes feel dated—reminiscent of 90s cinema—featuring tropes like guys spending lavishly on romance and girls making them foot the bill, which feels out of touch with the current times.
Although the filmmakers aimed for a lighthearted tone, they also attempted to weave in emotional scenes involving Pavish’s family. Unfortunately, these moments fail to land, which is a major weakness of the film; consequently, one feels no real empathy for Pavish.
In the second half, the measures Pavish takes to exact revenge on Naga Durga—retaliating for the hardships, cruelty, and financial loss he suffered—would have certainly drawn whistles and cheers had the film been made in the 90s or early 2000s. However, in today’s context, such a premise—especially a scene involving buying liquor in a black market—elicits a reaction of “give me a break.”
On the technical front, the cinematography is vibrant and colorful. However, the songs and background score are excessively loud, though the track “Vaadi Chellakutti” offers some relief. It is like a film that glorifies caste and violence throughout, only to preach against them at the end; similarly, after spending the entire movie claiming “this is just how girls are,” it concludes by—as usual—normalizing the situation with a scene that elevates women to the status of goddesses.
Throughout the film, there is confusion as to whether this is a Gen Z romance or a 90s-style love story.
All in all, there is a line Selvaraghavan delivers in the movie—”Why do you drag me into the middle of your romance?”—and that is exactly how the film felt.
This Is My Personal Review So Please Go and Watch The Movie In Theaters Only.
Written By B4U Media Admin Rating B4U Media Admin 4 . 5 / 5
