ALL PASS Tamil Movie Review
Cast-:
Dushyanth Jayaprakash • Roshan Basheer • Madhan Kumar • Dhakshinamoorthy • V. Jayaprakash • Prasanna Balachandran • Janany Kunaseelan • Sharath Lohitashwa • Subramaniam Siva • Senthil Kumari • Vinodhini Vaidynathan • Kalaiyararsan Kannusamy • Gokul • Moorthy • Nikhil • Mohana R • Spyder Sanjay • Sathya and Others.
Crew-:
Hmm Vasanthan, Executive producer : Ranjeet, Art : Jayaseelan T, Lyrics : Mohan Rajan, James vasanthan, Nilavai Parthiban, Make up : L.v.Raja, Costumes : Sivakasi A.S.vasan, Co director : T.Muthuraja, Choreography : I Radhika, Colourist : Ranga . Prasad lab, Sound design : Rashid.J – Anand Nagarajan, Vfx : I-Matte Media, Lyrical video : I-Matte Media, P. R. O : Bhuvan selvaraj, Stills : Annadurai, Poster design : Gibson UGA, and Others.
Story-:
Director Mydeen has written the story, screenplay, and dialogues for—and directed—this film, which centers on the realistic lives of the people of North Chennai.
Typically, when a Tamil film is set in North Chennai, the visuals are dominated by brawls, violence, murders, and sickles. However, the film *All Pass* breaks this mold, offering a completely different kind of story.
At the same time, the film conveys a valuable lesson to future generations—a merit for which it deserves early praise.
Jayaprakash, Subramania Siva, and Prasanna live in a small apartment within a housing complex in North Chennai.
The three are neither brothers nor relatives. They became friends after a chance encounter at a hospital eighteen years ago—when their children were born—and have since grown so close that they address each other as *Chithappa* (younger uncle) and *Periyappa* (elder uncle).
Neither Subramania Siva nor Prasanna makes a decision regarding their families without consulting Jayaprakash; consequently, both their children affectionately call him *Periyappa*.
As for their livelihoods, Jayaprakash runs a catering business, Prasanna owns a bicycle shop, and Subramania Siva works as a painter. Though all three earn modest incomes, they lead happy lives.
Subramania Siva’s daughter, Janani, falls in love with Dushyanth, an auto-rickshaw driver. When the family learns of this romance, a meeting is convened to discuss the matter. Dushyanth promises, “I will buy my own auto-rickshaw within three months. After that, I will come to your home and formally ask for her hand in marriage.” All three families agree to this.
Each of the three men has a son of the same age; the boys have just passed their Class 12 exams and dream of going to college. After seeing an advertisement, they express a desire to enroll in a prestigious private college. However, since there is no money for the fees, Jayaprakash advises them to join a government college instead.
Sarath Lohithaswa, the local MLA, has stashed away ill-gotten wealth in various locations to fund his upcoming election campaign. He has hidden five crore rupees in a specific warehouse.
While playing cricket, the three boys enter the warehouse to retrieve a ball that had rolled inside. Upon spotting the cash-filled box, they are tempted and make off with the money, bringing it home.
Shocked by the loss of the money, the MLA rushes to the area and camps out at the local councilor’s house. He relentlessly pressures the councilor to locate the money and the person who took it. Consequently, the councilor and his henchmen scour the Sathya Nagar neighborhood in search of the cash.
Meanwhile, Jayaprakash insists, “This money isn’t ours; take it back to where you found it.” However, his wife opposes this view. She argues, “God has given us this opportunity; why should we let it slip away?” When the other wives, along with Prasanna and Subramania Siva, agree with her, major conflicts arise among the three families.
How does it all end? Who did the money eventually reach? Did the MLA and the councilor manage to find it, or not? Did the three boys return the money, or did their families end up enjoying it? That is the intriguing premise of this film’s screenplay.
Watch The Video -:
Movie Review -:
Jayaprakash, Subramania Siva, and Prasanna—who play the key roles—have all delivered natural performances. Unlike the exaggerated acting often seen in other films, they have avoided over-the-top theatrics, making the movie a truly enjoyable watch.
Furthermore, Senthikumari, Vinodhini, and Mohana—playing the wives—perfectly capture the dynamic of sisters-in-law living under the same roof. Once conflict arises over money, their acting becomes incredibly authentic, mirroring the women we see in our own neighborhoods. Kudos to the director for eliciting such excellent performances from them.
Dushyanth and Janani, playing the romantic couple, have beautifully portrayed their love story. The way they express their affection during the song montages is tasteful and dignified.
Sanjay, Gokul, and Mughil—playing the children of these three families—have delivered performances that are charming, composed, and perfectly suited to their respective ages.
Sarath Lohithaswa, playing the MLA, vividly brings to life the persona of a fierce, fanatical, and arrogant politician right before our eyes.
Sathya, playing the local councilor, initially comes across as a villain who masks his malice with a smile; however, his pitiful state by the end actually makes us laugh. Sathya has performed brilliantly enough to evoke that laughter.
The songs composed by James Vasanthan are a delight to listen to; the romantic track, in particular, is one that compels you to listen to it again and again. The background score is lively and supports the narrative flow without being overpowering.
Editor Bhaskar has done an impeccable job; thanks to the excellent screenplay, he has crafted a fast-paced sequence of scenes that keeps the audience eagerly wondering about the fate of the money. His work is truly praiseworthy.
The MLA character has been crafted to vividly portray how a politician transforms into a ferocious beast when his stash of black money goes missing.
Furthermore, the film engagingly depicts the conflict between two groups: one searching for the lost money and another plotting how to utilize it. This dynamic makes the movie highly compelling.
The director demonstrates his screenwriting prowess by crafting realistic scenes—such as the MLA’s henchmen scrambling to find the cash while manipulating a councilor—and ensuring the narrative remains logical and free of absurdities, making it clear why the money isn’t easily recovered.
Debut director Mydeen, who wrote the story, screenplay, and dialogues, conveys a message essential for today’s youth—”Be honest, even if you are poor”—in a simple yet effective manner.
Through Jayaprakash’s character, the director emphatically conveys that taking and using someone else’s money is a grave offense, regardless of the hardships one faces.
In this regard, it is a film that families can watch and enjoy together while absorbing a valuable message.
Don’t miss it! This film, titled ‘All Pass’, has truly passed with flying colors!
This Is My Personal Review So Please Go and Watch The Movie In Theatres Only.
Written by B4U Media Admin Ratting B4U Media Admin 4 / 5
